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- Internal 6K/60p RAW Video
- Dual Base ISO 800/6400
- Dynamic Range 15+ Stops
- 32-Bit Float Audio
- 3.5mm Line Audio Input
- Up To 10x Slow Motion
- Frame.io Cloud Integration
- Waveform, Histogram, LUT Monitoring
- 5-Axis IBIS Stabilisation
- Magnesium Alloy Durable Build
- Dust And Drip Resistant
- Z-Mount Lens/FX Format
- Aperture Range: f/4 to f/22
- Aspherical Extra-Low Dispersion Element
- Three Aspherical Elements
- Nano Crystal & Super Integrated Coatings
- Stepping Motor AF System
- Programmable Control Ring
- Weather-Sealed Design, Fluorine Coating
- Rounded 7-Blade Diaphragm
- Retractable Design
Nikon ZR with Z 24-70mm f/4 S Lens
SKU code: 64094

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Key Features:
- Internal 6K/60p RAW Video
- Dual Base ISO 800/6400
- Dynamic Range 15+ Stops
- 32-Bit Float Audio
- 3.5mm Line Audio Input
- Up To 10x Slow Motion
- Frame.io Cloud Integration
- Waveform, Histogram, LUT Monitoring
- 5-Axis IBIS Stabilisation
- Magnesium Alloy Durable Build
- Dust And Drip Resistant
- Z-Mount Lens/FX Format
- Aperture Range: f/4 to f/22
- Aspherical Extra-Low Dispersion Element
- Three Aspherical Elements
- Nano Crystal & Super Integrated Coatings
- Stepping Motor AF System
- Programmable Control Ring
- Weather-Sealed Design, Fluorine Coating
- Rounded 7-Blade Diaphragm
- Retractable Design
Nikon ZR with Z 24-70mm f/4 S Lens
The Nikon ZR is the most compact model in the Z Cinema series, featuring a full-frame sensor for outstanding image quality. Created in partnership with Red, a Nikon Corporation subsidiary, the ZR offers internal 6K Raw recording, Red's renowned colour science, and professional-grade audio-all within a lightweight, single-body kit designed for high-end cinematic production.
Compact Size, No Compromises
Weighing just 0.540 kg, the ZR is one of the lightest cinema cameras in its class. EngineeRed for on-the-go filmmaking, its dust-and-drip resistant magnesium alloy body delivers reliability in any setting, from the studio to the great outdoors.
Despite its small set-up, ZR is designed to replace bulky multi-component rigs with the following features:
Internal 6K Raw video capture (R3D NE, N-Raw, ProRes Raw HQ)
In-camera 32-bit float with 3.5mm jack audio recording with OZO Audio support
Dual Base ISO for optimised exposure control
Direct cloud uploads via Frame.io through NX MobileAir
Efficient heat dissipation, allowing 2h+ of silent, continuous recording without overheating
Built-in Cinematic Output
Designed to give filmmakers complete creative control right out of the box, Nikon ZR combines cinematic presets, colour flexibility, and advanced monitoring tools in one streamlined system. Its dedicated Cinematic Video Mode applies standardised shutter angle, frame rate, and colour tone settings for consistent, high-quality output. For stylised looks, users can select from nine Red-curated Imaging Recipes, which can be previewed in real time for immediate application.
Notwithstanding, the ZR can support recording in seven video formats, including 12-bit Raw for maximum tonal range and post-production flexibility, 6K/59.94p and 4K/119.98p 12-bit Raw recording in RedWideGamutRGB and Log3G10 profiles, marking the first integration of the Red R3D NE codec into a Nikon camera.
The ZR supports LUT monitoring to its 4.0-inch LCD, allowing easy colour grading previews. The ZR also includes real-time waveform, histogram, and multi-colour zebra overlays, and with support for up to ten 65-point LUTs, alongside 17 and 33-point LUTs for accurate preview or baked-in colour. A configurable shutter angle range of 5.6° to 360° allows for true cinematic motion blur, while its deep-learning autofocus system with 273 AF points, 90% x 90% coverage, across nine categories, including people, animals, vehicles, and aircraft. Face detection is capable of recognising subjects as small as 3% of the frame, providing reliable focus even in wide compositions or fast-moving scenes.
Built for Live, Remote, and Multi-Cam Workflows
EngineeRed for modern productions, the ZR offers the connectivity, audio performance, and system versatility demanded by today's filmmakers, all in a complete, self-contained body.
Featuring a comprehensive HDMI and USB-C connectivity, HDMI-CEC tally light compatibility, and On Air / Previewindicators, making it an ideal choice for studio-based workflows, multi-camera environments, and even livestreaming.
The ZR's efficiency in dissipate heat enables silent operation during takes and supports extended recording without the risk of noise interference or mechanical failure, while its Z mount system ensures flexibility with a wide range of native lenses, while also supporting adapted third-party options for specialised needs.
On the audio front, the ZR includes the world's first native 32-bit float with 3.5mm jack recording, capturing a wide dynamic range without the risk of clipping, even with just the internal microphone. Its integrated OZO Audio system offers five pickup patterns, including voice-isolated and 360° modes, and pairs seamlessly with the optional ME-D10 shotgun microphone for broadcast-quality capture without batteries or XLR inputs.
Nikon NIKKOR Z 24-70mm f/4 S Lens
Covering a useful range of focal lengths, the Nikkor Z 24-70mm f/4 S is a versatile zoom, spanning wide-angle to portrait-length perspectives. Its constant f/4 maximum aperture maintains a consistent exposure throughout the zoom range and also helps to realise a more compact and lightweight alternative to an f/2.8 zoom. In regard to the optical design, a unique aspherical extra-low dispersion element, in addition to three aspherical elements, is used to help Reduce chromatic aberrations and distortions throughout the zoom range in order to achieve high image sharpness and clarity. Both Nano Crystal and Super Integrated Coatings have also been applied to control flare and ghosting for greater contrast and colour rendering in bright and backlit conditions.
Complementing the optics, a stepping motor provides quick, quiet, and precise autofocus performance along with full-time manual focus override to suit both stills and video applications. A programmable control ring can be set for intuitive adjustment over a variety of camera and exposure settings. Additionally, the lens has a button-less retractable barrel to realise a more compact form factor when not in use.
Image sensor | Full-frame/FX-format partially stacked CMOS sensor |
Effective pixels | 24.5 million |
Lens mount | Z mount |
ISO sensitivity | Video mode: ISO 100-51200 (Extended: Up to ISO 204800 equiv.) (HLG tone mode: ISO 400-51200) (N-Log tone mode: Lo 2.0-0.3,ISO 800-51200) (Video file type R3D NE 12 bit: Base ISO selectable between 800 and 6400) |
Photo mode: ISO 100-64000 (Extended: Down to ISO 50 equiv., up to ISO 204800 equiv.) | |
Shutter | Electronic shutter 1/16000-30 s, -900 s (mode M), flash sync speed of 1/60 s, Bulb, Time |
Frame size/rate | 5.4K/59.94p,50p,29.97p,25p,23.976p, 4K UHD/119.88p,100p, 59.94p,50p,29.97p,25p,23.976p, FHD/239.76p,200p, 119.88p,100p, 59.94p,50p,29.97p,25p,23.976p |
Frame size/rate | 6K/59.94p,50p,29.97p,25p,23.976p, 4K (4032×2268) /59.94p,50p,29.97p,25p,23.976p, 4K (3984×2240) /119.88p,100p, 59.94p,50p,29.97p,25p,23.976p 6K/59.94p,50p, 4K/119.88p,100p are only available in N-RAW and R3D NE. |
Video file type(extension) | .R3D, .NEV, .MOV, .MP4 (H.264/AVC (8bit)) |
Video compression | N-RAW (12 bit), R3D NE (12 bit), Apple ProRes RAW HQ (12 bit), Apple ProRes 422 HQ (10 bit), H.265/HEVC (8 bit/10 bit), H.264/AVC (8 bit) (Apple ProRes LT will be added in the future Firmware Update) |
Tone mode | SDR, HLG, N-Log, Log3G10 (only available in R3D NE) |
Dynamic range | 15+ stops (Log3G10: In-house testing) |
Audio recording device | Built-in microphone or external microphone can be used; external audio devices can be used via line input, audio directivity (OZO Audio), audio input sensitivity adjustable; attenuator, frequency response, and wind noise Reduction functions |
Audio recording format | Linear PCM (48 KHz, 24-bit/32-bit float, recorded in NEV, R3D, or MOV video file types) or AAC (48 KHz, 16 bit, for videos recorded in MP4 format) |
Media slots | CFexpress (Type B), XQD, microSD (Secure Digital), and UHSRe-I compliant microSDHC and microSDXC memory cards, dual card slots |
Media capacity | Up to approx. 125 minutes (In R3D NE 12bit, 25°F/77°F,connected to an external power source) |
Metering mode | Video mode: Matrix, center-weighted, highlight-weighted; Photo mode: Matrix, center-weighted, spot, highlight-weighted |
Autofocus | Hybrid focal-plane phase-detection/contrast AF, 273 focus points (in photo mode with single-point AF), 90%× 90% coverage, pixel interpolation, subject detection (people (eyes, face, head, upper body), birds, dogs, cats, cars, motorcycles, bicycles, trains and airplanes), AF-area mode: Pinpoint, single-point, dynamic-area (S, M, L), wide-area (S, L, C1, C2), 3D-tracking (in Photo mode), subject-tracking (in Video mode), auto-area (100% × 90% coverage) |
Vibration Reduction | 5-axis image sensor shift (New CIPA standard: 7.5 stops at center, 6.0 stops at edges), Synchro VR, focus point VR; No electromagnetic lock |
Monitor | 4.0-in. (16:10), approx. 3070k-dot vari-angle touch-sensitive LCD |
Power source | EN-EL15c, EN-EL15b (with ID and fuel gauge (FG) functions, support for USB charging while the camera is turned off and USB power delivery while on), EN-EL15a (with ID and FG functions, USB power delivery is possible but USB charging is not), support for EH-8P AC adapters |
Interface | Type-C USB (USB 3.2), Type-D HDMI, external stereo mic (line input supported), and headphone (remote cord) connectors; digital accessory shoe; Wi-Fi and Bluetooth modules |
Dust- and drip-resistance | Magenisum alloy body |
Communication | Support for computer, FTP server, camera, and smart device connection, and Cloud collaboration |
Dimensions (WxHxD) | Approx. 13.4 cm × 8.05 cm × 4.9 cm |
Weight | Approx. 0.540 Kg (camera body only), 0.630 Kg (with battery and 2 memory cards) When the body cap and digital accessory shoe cover are not attached. |
Primary video functions | Internal RAW (R3D NE) recording, LUT view assist (effect of LUTs can be viewed in real time while shooting; up to 30p), Red colour science (Log3G10), base ISO sensitivity control, Red-supervised Imaging Recipes, shutter angle control, vertical video recording |
Others | 4 preset user settings ([Cinematic video], [Slow-motion video], [Starscape photo], and [Portrait]) |
LENS | |
Focal Length |
24 to 70mm
|
Aperture |
Maximum: f/4
|
Minimum: f/22 | |
Lens Mount |
Nikon Z
|
Lens Format Coverage |
Full-Frame
|
Angle of View |
84° to 34° 20'
|
Minimum Focus Distance |
30 cm
|
Magnification |
1:3.33 Macro Reproduction Ratio
|
0.3x Magnification | |
Optical Design |
14 Elements in 11 Groups
|
Aperture/Iris Blades |
7, Rounded
|
Focus Type |
Autofocus
|
Filter Size |
72 mm (Front)
|
Dimensions |
L: 8.85 cm
|
Weight |
0.500 kg
|
* Specifications subject to change by the manufacturer without notice.
- Nikon ZR Cinema Camera
- Nikon Z 24-70mm f/4 S Lens
- Nikon EN-EL15c Lithium-Ion Battery
- Nikon UC-E25 USB Cable
- Nikon BS-D1 Digital Accessory Shoe Cover
- Nikon BF-N1 Body Cap
- Nikon AN-DC26 Camera Strap
- Nikon LC-72B 72mm Front Lens Cap
- Nikon LF-N1 Rear Lens Cap
- Nikon HB-85 Lens Hood
- Nikon CL-C1 Lens Case
Manufacturer Warranty

This product comes with a
24* month Australian warranty
from Nikon Australia
*Available with free registration at